
Behind the Scenes: Building a Live TV News Set in 72 Hours
How our team designed, fabricated, and installed a full multi-position broadcast set on a three-day deadline — without cutting a single corner.
We design and fabricate sets, exhibits, interiors and installations for film, television, museums and events. In-house from sketch to install — in a 10,000 sq ft shop in Columbus, Ohio.
We design and build in-house. Every welder, painter, millworker and installer walks the same floor as the design team. That's how we say yes to what other studios can't.

A full atrium reimagining for DC Capital — sculptural millwork, hand-built casework, and a lighting scheme designed to feel inevitable.

Interactive natural-history displays for Holden Arboretum. Weather-durable, kid-proof, and quietly beautiful.

A ground-up interiors overhaul for AEP's Roanoke office — custom furniture, conference environments, and training spaces.

Visitor center exhibits and lobby environment telling the story of hydroelectric power at Smith Mountain Lake.

Multi-position broadcast set for WBNS-TV and the Ohio News Network — designed for lighting, delivered on air on time.

Runway environments for Express — black-and-gold couture staging, spring collections, and everything in between.
For over 25 years, Curtis Elliott Designs has been designing and fabricating for film, television, photography, corporate events, museums and interiors. Our diverse and talented team can design, build, weld, assemble, paint and install virtually any project — from a single sculptural award to a 10,000 square foot exhibit.

""If you want it done right, with attention paid to every detail — a partner with a true creative vision, the spirit to make it happen, and people who truly become part of your team — you want Curtis Elliott."

How our team designed, fabricated, and installed a full multi-position broadcast set on a three-day deadline — without cutting a single corner.

A fashion show set has to hold a crowd's attention for four minutes and photograph beautifully for a decade. Here's how we design for both.

Twenty-five years, thousands of projects, zero templates. Here's what happens when you refuse to let one job predict the next.